Coat of Arms   PROJECT

                          Middle Ages Project

Family Crest or Shield

YOU are to:

   1. Create a family crest or shield (your own original design.  Do NOT use a crest that already exists!)

           a. It must be divided into a minimum of three parts

           b.  Each part must contain a different symbol

           c. Use a different color in each background. (Unless it is divided into four parts and you                 

                  use diagonals…ask me)   Colors should be bright and vibrant, do not use pastels.                                                

           d. Be neat!  Coloring should be even.  Items should be centered…use a ruler to check!

 

    2.  Write a 4 paragraph report describing:

           a. The time period/location that the crest was presented to your ancestor by the monarch

           b. Who you are (your name and position in society…examples: lady, lord, knight, etc.) 

                Where did it come from...How long has it been in your family?  Describe why the 

                monarch presented your ancestor with the crest. (what act of bravery or loyalty…)

           c. What does each color and symbol represent? Be complete!  Don’t leave any out.

           d. Conclusion- Why is the crest important to you?  Will you pass it on as a legacy?

**********Please see me if you have ANY questions.  You may call me at home (384-3064) or email me at :   ruddbud13@hotmail.com or sruddy@mwcsk12.org  

Please read the information below to assist you on the project:

Introduction

        During the Middle Ages, knights used a coat of arms to identify themselves. One man in armor looked a lot like another, so the coat of arms was used to identify a knight in battle. In a society where few people could read and write, pictures were very important. A coat of arms was more like a label for instant identification than it was like a painting. You wanted to know instantly who was coming toward you, so you could know which side he was on. Coats of arms later took on further significance and meanings. They also became a way of showing membership in the aristocracy, after they lost their significance in warfare.

 

        

 

            TRUE or FALSE ?      

         

        Coats of arms came about when knights were so encased in armor, that no one could distinguish one knight from another. Knights displayed their insignia on their shields so they could tell each other apart.

 

        Word Origins

        Where does the term 'heraldry' come from.  Many years ago, powerful royal families were often at war with each other. Each royal family had a 'Herald'. The Herald's duty was to act as a messenger to his master on the battlefield. This was a difficult job as the heavy armor that knights wore covered up their faces. The Herald could not tell who was who!

        A coat of arms can have several parts. The main part is a shield, which can have a crest above it, a motto, and animals supporting the shield. In our project, we will deal only with shields.

        More Word Origins

        The blazon was a description of the shield in words, using a special vocabulary. The terms used in heraldry are similar to a kind of old French. French was the language used by the aristocracy during the Middle Ages. The idea is that a shield can be described by one expert in heraldry so that another expert could draw it correctly without ever seeing it. To draw the coat of arms from the description is to emblazon it.

        Traditional heraldry used only the following colors and metals (except for an object that was ‘proper’, which means in its natural colors):

Colors:

Gules

 

Bright Red

Azure

 

Royal Blue or Sky Blue

Vert

 

Emerald Green

Purpure

 

Royal Purple

Sable

 

Black

Metals:

Or

 

Gold (yellow)

Argent

 

Silver (white)

       (Or can be light yellow, and argent can be white. However, medieval people would have preferred metallic paint to the ordinary colors. You will probably want to use metallic colored pencils or markers if you have them.)

Selecting the other colors for your shield

        The basic rule is "metal on color, or color on metal, but not metal on metal or color on color". This means that the background on your shield can be either a metal or a color. The main object or objects should be a color if the background is a metal, or it should be a "metal" (silver or gold) if the background is a color. If there is another object on top of the main object, it should be a metal if the background is metal, or a color if the background is a color. It doesn’t have to be the same metal or color. You can have color-metal-color or metal-color-metal.

Choose the charges on your shield:

        A charge is what is shown on the base color of your shield. Animals were frequently used as a main charge.

        Animals were shown in certain traditional postures, which were not meant to be realistic pictures of the animals. They were not drawn to look three dimensional, but were shown as if they were flat, and with the most characteristic parts of them the most obvious. The pictures were to represent the animal as a symbol. Generally the animals chosen were fierce, and they were often show in postures of combat. Whatever their main color, fierce animals were often shown with red tongue and claws.

Here are a few of the most common animals on shields:

Griffin

Boar

Horse

 

 

Lion 

Eagle

Dragon

        A common design on a shield was a pun on the family (last) name. The coat of arms for "Wheatley" has sheaves of wheat on the shield. Some other shields showed allegiance to one side in a dispute by putting its symbol on their shields. The cross on a coat of arms often meant that the original bearer had been to the Crusades. A cross used on a shield was always taken very seriously. There are many forms of the cross.

 

        Here are some basic ideas of how medieval shields were designed, so that you can create your own in a historically accurate way:

Symbolic - Pictures on shields were symbolic, that is, they were something that represented a quality to the viewer beyond what he saw. For instance, a lion or an eagle meant "courage". The picture was drawn so that everyone would know what it was, but it was not important that it look like a real eagle.                               

                                                                      Flat - images on a shield were shown in pure, flat colors, without any shading. They were not in drawn in perspective. Items were not shown in the proper size to each other, either. Things might be drawn larger because they were more important, but not because they were in fact larger. A horse might be as large as a castle, not because it was closer to the viewer than the castle, but because it was equally important, or because it made a balanced design.

Stylized - Animals and other things on shields were meant to be instantly recognizable, but they were stylized. They were drawn according to rules, not realistically. Usually they were drawn a position that showed their most important characteristics clearly (a lion’s mane, a unicorn’s horn, etc.) Animals were drawn from directly in front, or in profile, not from a three-quarters view, or partly turned. This also helped to ensure that the same blazon, or description of a shield, could be drawn by different artists and still look very much the same.

Bold - shields were meant to be seen across a battlefield. Also, they were a proclamation of who you were. Lords in the Middle Ages were not shy about who they were or their accomplishments

.

 

      

         Shields were often divided into parts, called divisions, or had basic shapes on them, called ordinaries. The most common shapes are shown below. Divisions do not have to follow the metal/color rule, as they are considered to lie next to each other, not one on top of another. Ordinaries do follow the rule.

Chief

Cross

 

Saltire

Tierce

Chevron

Chevron Inverted

Per Chevron

 

Per Chevron Inverted

 

Pile

 

Pile Inverted

 

Bend

 

Per Bend

Bend wise

 

Fess

 

Per Fess

Fess wise

 

Pale

 

Per Pale

Pale wise

 

Pall

 

Per Pall

Per Pall Inverted

               

Page last updated 5/03/04

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